Ida (2013) is a Polish film co-written and directed by Pawel Pawlikowski. This brilliant film follows a few days in the life of Anna, a young novitiate nun. Anna has been raised in a convent, and she plans to take her vows and stay in the convent for the rest of her life.
However, before this can take place, the mother superior sends her to meet her only living relative, a woman named Wanda.
The pair could not be less similar. Ida is quiet, gentle, thoughtful, and shy. Her aunt is tough as nails--she has real power as a judge, and she knows how to use it. She's a heavy drinker and a heavy smoker. She's also a Jew.
In the first few minutes of the movie, Anna learns that she's Jewish. As a very young girl, she was taken to the convent, where the nuns raised her. (Her real name is Ida, which is why that's the title of the film.)
Wanda and Anna set out to return to their rural home, to solve the mystery of what happened to their family 20 years earlier. Why did Ida survive, when her family--other than Wanda--did not?
This film, shot in black & white, is superbly constructed on every dimension. The plot is tight, and the acting is incredible. Agata Kulesza (Wanda) and Agata Trzebuchowska (Anna/Ida), are immensely talented actors.
The cinematography is incomparable. My wife and I felt as if any frame--from the beginning to the end of the movie--would make a great still photograph.
Pawlikowski knows how to focus on his main actors, but he also lets us know that, while the protagonists are involved in heartbreaking drama, the rest of the world is going about its business around them.
This is a grim film. Anna's life is restricted by her piety. Wanda's life is constricted by alcohol and--it would appear--by lack of any close personal relationships. Everyone in Poland is restricted by horrible memories, dark secrets, and Soviet domination.
Grim or not, this is a film you shouldn't pass up if you care about great cinema. We saw it on a large screen at the LittleTheatre in Rochester, NY. However, it will work well enough on DVD. Don't miss it.
Ida is magnificent, it will stay with me a long time. The narrative is powerfully compelling and yet if it had been a non-narrative film I would have been spellbound by the images alone. They should make a coffee table book of stills from it. Huge emotional issues are dealt with in a remarkably understated, unsentimental, but appropriate way. The use of music (often my pet peeve in these days of Hollywood formula) is enlightened and illustrative. I don't think the ending is ambiguous, I'm not sure the writer who wrote that understood it. Perhaps there is something slightly facile about the way things wrap up in the last 15 minutes of the film, but this is only in comparison with how beautifully they are laid out before that. Enough, this is not really a review, it is an exhortation - Go see Ida!
However, before this can take place, the mother superior sends her to meet her only living relative, a woman named Wanda.
The pair could not be less similar. Ida is quiet, gentle, thoughtful, and shy. Her aunt is tough as nails--she has real power as a judge, and she knows how to use it. She's a heavy drinker and a heavy smoker. She's also a Jew.
In the first few minutes of the movie, Anna learns that she's Jewish. As a very young girl, she was taken to the convent, where the nuns raised her. (Her real name is Ida, which is why that's the title of the film.)
Wanda and Anna set out to return to their rural home, to solve the mystery of what happened to their family 20 years earlier. Why did Ida survive, when her family--other than Wanda--did not?
This film, shot in black & white, is superbly constructed on every dimension. The plot is tight, and the acting is incredible. Agata Kulesza (Wanda) and Agata Trzebuchowska (Anna/Ida), are immensely talented actors.
The cinematography is incomparable. My wife and I felt as if any frame--from the beginning to the end of the movie--would make a great still photograph.
Pawlikowski knows how to focus on his main actors, but he also lets us know that, while the protagonists are involved in heartbreaking drama, the rest of the world is going about its business around them.
This is a grim film. Anna's life is restricted by her piety. Wanda's life is constricted by alcohol and--it would appear--by lack of any close personal relationships. Everyone in Poland is restricted by horrible memories, dark secrets, and Soviet domination.
Grim or not, this is a film you shouldn't pass up if you care about great cinema. We saw it on a large screen at the LittleTheatre in Rochester, NY. However, it will work well enough on DVD. Don't miss it.
Ida is magnificent, it will stay with me a long time. The narrative is powerfully compelling and yet if it had been a non-narrative film I would have been spellbound by the images alone. They should make a coffee table book of stills from it. Huge emotional issues are dealt with in a remarkably understated, unsentimental, but appropriate way. The use of music (often my pet peeve in these days of Hollywood formula) is enlightened and illustrative. I don't think the ending is ambiguous, I'm not sure the writer who wrote that understood it. Perhaps there is something slightly facile about the way things wrap up in the last 15 minutes of the film, but this is only in comparison with how beautifully they are laid out before that. Enough, this is not really a review, it is an exhortation - Go see Ida!
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